Media Working Group
and Earthtime
present
Documentary maker Miguel
Huarcaya from Lima, Peru, currently working in Ecuador will
screen and lecture on -
The Ethnographical
and the Political:
Video Making and the Ecuadorian Indigenous People's Movement

In this lecture
, Peruvian Documentary maker Miguel Huarcaya will screen several
videos product of his extensive collaboration with the Department
of Communication of the Confederation
of Indigenous Nationalities of Ecuador (CONAIE). In addition
to describing that experience, Mr. Huarcaya will comment on the
present cultural and political condition of Ecuadorian indigenous
population.
This is a Bi-Lingual
event in Spanish and English
These lectures and
screenings are held in wheelchair accessible sites; if you would
like to have a signer present or would like more information about
these events please call please call 859.581.0033 or email us mail@mwg.org
|
A Special Showing
and Discussion with Ecuadorian Documentary videomaker
Sergio Miguel Huarcaya
at University of Kentucky, in cooperation with the
UK Department of Environmental Studies
and the Latin
American Studies Program,
Lexington, Kentucky
Wednesday, April 4, 6:30 p.m.
Room 110 of the Classroom Building
This event is free and open to the public
Miami University
in cooperation with the Department of Latin American Studies,
Oxford, Ohio
Thrusday April 12, 3 - 4:30 pm
113 LAWS HALL
Ohio University
in cooperation with the School of Film
Athens, OH
Wednesday, April 18, 7 pm to 9 pm
Centro de Culturale
in cooperation with the Tualatin Valley Community Access Center
Portland, OR
Tuesday, April 24, 7 pm
Beaverton, Oregon
Sponsored by the PSU Multicultural Center
In colaboration with Tualatin Valley Community Access Television,
Monday, April 23rd, 7pm - 9pm
Room 290/92, 2nd Floor
Smith Memorial Center
Portland State University
1825 SW Broadway
All events are wheel
chair accessible, free and open the public
 |
Earthtime (www.et7d.com)
is a non- profit organization whose mission is to create opportunities
for the exchange of knowledge and experience between people of diverse
perspectives and cultures. It is founded on Seven Directions practice
which is a method for thinking, communicating, thinking about thinking,
and interacting based on indigenous knowledge that offers a holistic
tool for engaging across difference. |
 |
Media Working
Group (www.mwg.org)
is a non-profit
media education, production, research and development organization
that provides an organizational framework for diverse multi-disciplinary
work in media culture. |
The videos to be shown are the
following:
La dignidad de los Pueblos. El levantamiento
del 21 de Enero, 2000
(The Dignity of the Peoples. The Upraising of January 21, 2000)
Documentary 00:47:50
View a clip in streaming QuickTime
format: La
dignidad de los Pueblos
 |
In Ecuador, on January 21 of
2000, an uprising of indigenous people, with last-minute support
from low and mid-level military officers, succeeded in ousting the
corrupted president, Jamil Mahuad. Unlawfully favoring the banking
oligarchy, Mahuad's economic policies had been rapidly increasing
the population of destitute Ecuadorians, most of them indigenous.
Inflation was rampant and during his mandate, the national currency
lost about four fifths of its value. Mahuad even blocked the people's
bank accounts, allowing corrupted bankers to flee the country with
all their clients' money. In despite of the deployment of 30,000
troops to prevent the Indians from reaching Quito, the Ecuadorian
capital, by January 20 tens of thousands had made their way into
the city. Their cause won the support of students and other sectors
of Ecuadorian society, who organized support demonstrations.
|
|
On January 21, thousands of Indians
and their allies surrounded the Congress. Several units of the army
broke ranks and allowed indigenous activists to seize the building.
Hours later, the movement declared a new government of "National
Salvation," and tens of thousands poured into the streets of Quito
to welcome a must needed change in the Ecuadorian political, judiciary,
legislative and economic systems.The victory was short-lived. Ecuador's
top military officials replaced the mid-level military leader of
the movement with one of their own. Before dawn, coerced by the
United States government, the top officials ousted the National
Salvation Government and installed Mahuad's vice president, Gustavo
Noboa, as president. Mahuad was ousted, but the old political regime
survived. With daylight, tens of thousand indians began to leave
the capital and return to the countryside. Showing many scenes that
were censured by the Ecuadorian television channels, which are mostly
owned by the banking oligarchy, this video tells the story of the
upraising from the perspective of the Indigenous Peoples' Movement.
|
 |
Tsa´chila
(True People).
Dramatized documentary 00:17.42
View a clip in streaming QuickTime
format: Tsa'chila
 |
The Tsa´chila are
a small indigenous ethnic group from the Ecuadorian western lowlands.
They are better known by their Spanish name, Indios Colorados -which
literally translates as Reddish Indians. They were named like that
because of their traditional bowl-shaped haircuts dyed a brilliant
red, using a natural dye from the achiote plant. Tsa´chila medicine
men, or curanderos, possess a worldwide reputation. Many Ecuadorians
and foreigners come to their villages to be cured by them. |
|
This video is a representation of their culture
from their own perspective. It is a participatory project inasmuch
as Tsa´chila youth and young adults wrote the script. It deals with
the preservation of their cultural traditions in contraposition
with the social pressure for assimilation into mainstream mestizo
culture. In addition, it deals with some of their main problems
as an ethnic minority including discrimination in schools, spoliation
of their natural resources, and the taking of their territorial
possessions by the mestizos. The video ends with a calling to Tsa´chila
for political organizing.
|
Lago San Pablo.
Coya Raymi 2000. 00:04.40
| Coya Raymi is an
annual festivity of the Quichua Indians of the province of Imbabura.
It celebrates women, fecundity and corn production. One of the many
activities of this fiesta, which takes place during the month of September,
is a race of caballitos de Totora (canoes made out of reed) in the
Lake San Pablo. The video is a representation of the race that took
place in September 2000. |
 |
Niņu Chu/Matsunu
Malunu (Child Christ
festivity and traditional wedding ceremony of Chachi Indians) Ethnographic
documentary. Work in progress. Sample footage 00:04.16
 |
Chachi Indians, apparently
related to the extinct Chibchas, migrated from the Sierras to the
tropical Ecuadorian northwestern lowlands somewhere around five hundred
centuries ago. Now, they are a small indigenous ethnic group of around
5,000 individuals with their own language -the cha'palaachi- and distinct
culture. They live dispersed in a thickly vegetated area, mostly on
the riverbanks of the leisurely flowing Cayapa River and its tributaries.
They are known for their basketwork and one-piece canoe woodcarving.
Chachi Indians were Christianized centuries ago, and their festivities
are a curious aggregate of catholic and native traditions |
|
This video is
a documentation of one of their most important celebrations, Niņu
Chu or Christ Child Festivity. This celebration takes place in a
special ceremonial field, inhabited for most of the year, during
the days of December 23, 24 and 25. In that field, there are several
elevated huts for sheltering the participating families. The field
also serves as cemetery, and beneath the elevated huts, lie the
tombs of their defunct ancestors. The festivity gets started with
the clearing of the whole area, owing to the profuse growth of vegetation.
For marriageable Chachi Indians, this is one of the only two opportunities
in the year to get married, the other been Easter celebration. In
addition to the native rituals of the collective wedding, there
is tcampoo -a thick and sweet drink made out of corn- drinking,
the observance of the rule of separation of the sexes at public
gatherings, the performance of the traditional Chachi dance, and
plenty of marimba playing. On the last night of the celebration,
Chachi's customary law dictates that the bridal pairs must stay
awake until dawn; otherwise, their sleep is an omen that they will
die soon. Aware on the influence of mainstream mestizo culture on
their cultural identity, Chachi Indians are fighting to keep their
traditions alive.
|
|